Sunday, November 30, 2008





A little break from reviews from various press resources about film to an interesting article about another family member. This one's from this week's Jerusalem Post:

Nov 29, 2008 18:29
A life full of days
By JUDY SIEGEL-ITZKOVICH

Many people can't remember where they left their car keys or whom they met last week. Yet Prof. Ephraim Katzir, one of Israel's greatest living scientists, at 92 has written an autobiography packed with a mind-boggling cornucopia of people, dates, places, events and facts from as long as eight decades ago. Only once or twice does the author concede: "I am sorry I don't remember" someone's name. As Katzir found himself at key intersections in modern history, his story of a life well (but often-painfully) lived is intertwined with some of the most memorable events of the Jewish State and the Jewish People.

The 362-page hardcover Hebrew volume, just published by Carmel in Jerusalem, is simply titled Sipur Haim (A Life's Tale) - an apt reflection of his modest manner. Most Israelis, I presume, don't even recognize Katzir's name, or remember that he was a founding faculty member of the Weizmann Institute of Science in Rehovot, a pathfinding biochemist and biophysicist, and the fourth president of the State, between 1973 and 1978.

Even if they did, many would be surprised to hear that he is still around, living on the Weizmann Institute campus.

But I recall him well. As a new Jerusalem Post reporter, I was assigned to cover Beit Hanassi (among other things) and the presidency when Katzir was inaugurated. I watched and listened to him at Beit Hanassi receptions, interviewed him in his private office and tagged along as he toured the country and - in perhaps his most momentous meeting - welcomed Egypt's president Anwar Sadat to Israel and Jerusalem.

Katzir never had the charisma or gift for gab that some Israelis prefer in a leader; at dull ceremonial events, he was probably dreaming of his lab, microscopes and test tubes. He always smiled shyly and looked people in the eye when he shook their hand, but a veil of sadness seemed to hang in the background. Many of his relatives perished in the Holocaust; his only sibling, best friend and world-renowned scientist Prof. Aharon Katchalski was murdered by the Japanese Red Army terror attack at Lod Airport on May 30, 1972; his daughter Nurit died of carbon dioxide asphyxiation at 23 when she fell asleep at home without being aware of a burning kerosene stove and sealed windows; daughter Irit, a "sensitive poet," died at 43 in "tragic circumstances"; and Katzir's wife Nina died of cancer 22 years ago. Only their son Meir and his family are left.

KATZIR WAS born in 1916 with the name Ephraim Katchalski, which he hebraicized only when elected president of Israel. His father, Yehuda, was an accountant with fiercely Zionist ideals. He and his wife Tzila lived in Lodj in Poland, where Aharon was born, but the family moved to Kiev in the Ukraine because of World War I. After migrating on to Bialystock, economic problems in the country and ideology induced the Katchalskis to make aliya to Eretz Yisrael in 1925.

Living with an uncle who came here previously as a pioneer, Aharon and Ephraim attended the Gymnasia Herzliya in Tel Aviv, riding their bicycles on the sandy paths. But when their parents failed to make a decent living, they moved to Jerusalem, where they rented an apartment in Rehov David Yellin. Yehuda didn't settle easily into an occupation and served as a synagogue beadle; Tzila excelled in running a clothing shop. The boys attended the Rehavia Gymnasia, which was then located in the Bokharian quarter where the family moved; Ephraim still recalls sharing a room with Aharon where the table was covered by a green velvet cloth. Ephraim joined the Haganah (which later became the Israel Defense Forces) at 16, like many of his peers, and learned to take apart and put together guns. Yehoshua Aluf, his physical education teacher, was a Hagana commander in Jerusalem (as president in 1974, Katzir presented him with an Israel Prize for his life's work). With over half of its small population of 70,000 being Jews, everybody seemed to know everybody. King George Street had become the first paved road in 1924.

Although his father wanted his younger son to go into business because Aharon was on a scientific path into biophysics at the budding Hebrew University, Katzir followed him to the new Mount Scopus campus, swerving from pure biology to chemistry. The brothers used their scientific knowledge to help the Haganah, and regretting that it was too late to save European Jewry. When a young Jew named Abba Kovner - a Lithuanian Jewish partisan leader who became a famous Hebrew poet and writer - arrived at the campus at the end of the war in Europe, he told the brothers what had happened to the Jews. He vowed to take toxin from the university, return to Europe and symbolically poison Nazi soldiers' bread in their barracks. On the boat to Europe, Kovner's plan was discovered and the poison from the HU storeroom was tossed into the sea.

FOR THE Haganah, the brothers developed new types of explosives to supplement the Jewish paramilitary organization's precious store. But, Katzir recalls in his book, the product was so malodorous that they had to do their lab work in a cave in Jerusalem's Sanhedria quarter. "When I entered a bus, people used to run away because of the stinky smell. Only years later did we learn how to eliminate the smell from that material."

One funny incident in the volume is Katzir's recollection of Amos Horev (who later became president of the Technion-Israel Institute of Technology in Haifa) working with former Palmahniks on thermal bombs that exploded with a delay. As they had to be ignited with sulphuric acid, Horev suggested keeping them in latex condoms that would gradually be eaten away by the acid. "For his first experiments," Katzir recalls, "we depended on Amos's private stock, but when we needed serious supplies," a colleague went to buy them from a retailer in King George Street who "didn't hide his admiration for what seemed to be his customer's impressive sexual activity."

Before the establishment of the state, Katzir went to New York for post-doctorate study in New York and to raise funds for the Rehovot institute among friends at the Brooklyn Polytechnic. He also worked with future Jerusalem mayor Teddy Kollek to smuggle weaponry for the expected war.


The author recalls personal details about his esteemed teachers and fellow students and how they influenced him along his academic path. As HU did not then have the necessary equipment and funds for their research, the Katchalski brothers eagerly accepted an offer from the new Weizmann Institute, named for Chaim Weizmann, the chemist who developed a process for producing acetone, that enabled the manufacture of explosive propellants critical to the Allied effort in World War I. Rewarded by Britain with the Balfour Declaration, Weizmann served as a Zionist leader, president of the World Zionist Organization and - in 1949 - the first president of Israel. Katzir knew the esteemed scientist when he was sickly and chose the legendary Meyer Weisgal to run and promote the Rehovot institute. "I never dreamed for a moment that a quarter of a century later, I would find myself in Weizmann's seat as president of the State," Katzir writes.

ARRIVING BACK with the birth of the state - prevented for days from reaching his wife and small children in besieged Jerusalem - Katzir was named head of the IDF science corps. Later, he focused at Weizmann on polymers (large molecules composed of repeating structural units connected by covalent chemical bonds), specifically on immobilized enzymes and polyamino acids, which led to the development of synthetic antigens and the production of synthetic vaccines. One practical application of his work was his development of a synthetic fiber used to sew up internal wounds that dissolves in bodily enzymes. For his varied work, he received many awards, including the Israel Prize in Life Sciences and the Japan Prize. He also served as chief scientist of the Defense Ministry.

A long-time socialist, Katzir supported the Labor Party and was urged by prime minister Golda Meir to present his candidacy for the presidency to succeed Zalman Shazar. He relates that he didn't really know what a president is supposed to do, but did recall that the post had in 1952, when Weizmann died, been offered to Albert Einstein (who turned it down). Powerful Labor Party finance minister Pinhas Sapir told the reluctant Katzir he would build him a lab at Beit Hanassi so he would not be separated from his beloved science during the five-year-term, but this never happened. MK Yitzhak Navon, David Ben-Gurion's right-hand man (and Katzir's Haganah colleague) whom Meir opposed due to unpleasant memories of Labor's rift with the Rafi Party that Navon had joined with B_G, was proposed in the party's central committee due to his charm, intellect and Sephardi background. But Katzir won 56 percent of the vote and then defeated the great HU Jewish studies scholar Prof. Ephraim Urbach, nominated by the National Religious Party. In the secret vote, Katzir won with 66 ballots.

About four months later, Katzir symbolically led the nation through the Yom Kippur War, with its horrific death toll, anti-government demonstrations, Meir's resignation and the appointment of Yitzhak Rabin to replace her. Katzir was well received at the White House by Richard Nixon and Gerald Ford. In 1977, the Likud's Menachem Begin defeated Labor and a new bipartisan era began. Beit Hanassi was the scene of talks with party heads and the president's symbolic request to try to establish a coalition.

But it wasn't long before Egyptian president Anwar Sadat shook the country with the first official visit of an Arab leader. Katzir stood with Begin as they greeted the Egyptian at the airport and sat with them on the Knesset podium.

Katzir did much during his presidency to promote science education and research, continuing to boost biotechnology. After leaving office and returning to academia, he established a biotechnology department at Tel Aviv University while continuing his research at Weizmann and serving as world president of World ORT (the educational network).

"I believed with all my heart that science will bring peace to this country, renew its youthful vigor and create the sources for new life, both spiritually and materially," he wrote in a biological chemistry journal in 2005. "I have been lucky enough to spend my life in pursuit of my goals, with some success and considerable satisfaction."

Katzir, wheelchair bound but with a mind as clear as ever, was happy to give a telephone interview to mark the publication of his book to this reporter (who he said he remembered). He doesn't get to his lab, he said, but his former students - leading professors themselves - come to his home and bring their scientific articles before publication so he can comment on them. His son, a mathematics professor at the Technion, has three adult children, and some are engaged in science but not biology ("even though I tried to persuade them").

He spent six years working on the book, two of them reminiscing with his former biology student Amos Carmel, a journalist at Yedioth Aharonot.
"I told him he was better at writing than biology," Katzir jokes. "He did a wonderful job helping me. I didn't take notes during my long career, and didn't save any documents. Everything came from memory, with Amos's help. I felt that before I meet the Almighty, I wanted to write a book my son and grandchildren could read, and so that scientists will see that they can accomplish things outside scientific life as well.

Tuesday, November 18, 2008

Praying in her own voice interview on KRON-4 San Francisco

http://www.youtube.com/watch?v=0uaOmRc4V0o

Saturday, November 15, 2008

JLTV's PHIL BLAZER SHOW

http://www.youtube.com/watch?v=EUTmvD8G50w

http://www.youtube.com/watch?v=gRbnL5Cl8h8



Sunday, October 26, 2008


Oct 26 screening in Temple Emanualle, Beverly Hills.

From this weekends Jewish Journal:
http://www.jewishjournal.com/community_calendar/item/praying_in_her_own_voice_film_screening_and_discussion/

Arts & Entertainment
“Praying in Her Own Voice” Film Screening and Discussion
By Danielle Berin and Dikla Kadosh

Israel Matters at Temple Emanuel of Beverly Hills along with Beth Chayim Chadashim,Ikar and Kol Ami, invite the community for the exclusive movie screening of “Praying in Her Own Voice”.

This powerful film documents the courageous struggle of the famed “Women of the Wall” movement. This group has spearheaded the battle for women’s equality in the religious world. Its focus is the Western Wall--- the holiest site for Jews --- where Orthodox, Conservative and Reform women are not allowed to gather and pray in community. Women of the Wall have challenged the Israeli government for a decade.This is their story.

The screening will be followed by a discussion with Ravit Markus, the film maker, and Myra Newman, member of the Pluralism and Religious Diversity in Israel Committee of the LA-Tel Aviv Partnership.

The screening is made possible by a generous gift from the Chais Family Foundation.

Sunday, October 26, 2008 at 7:00 PM. $10. Temple Emanuel, 8844 Burton Way, Beverly Hills, CA 90211.

For more information please call (310) 288.3737 ext. 232 or visit www.tebh.org
Dates: Sunday, October 26, 2008
Time: 7:00 pm - 10:00 pm
Event Price: $10
Organization: Temple Emanuel
Other Organizations/ Sponsors: Beth Chayim Chadashim, Ikar and Kol Ami
Venue: Temple Emanuel
300 N. Clark Drive
Beverly Hills, CA 90211
Phone: (310) 288.3737 ext. 232
Web Site: tebh.org

Friday, September 12, 2008

SEPT 12 2008

7 years since that horrible day and it seems that much if not all of what we have experienced has been strongly forgotten.
I don't get it.
Don't get it at all.
Only 7 years.
And already people have moved on.
Is that the nature of the world?
Wanting so eagerly to forget?
Sept 12 was used by the media mostly for political gains in the ongoing heated election campaign. Each commentator was using Sept 11 either to bash the candidate they opposed or to use it to help the candidate they endorse.
7 years and still no memorial site in the place where nearly 3000 people lost their lives.

Sad.
Painful.
I will never forget Sept 11.
It was a moment that shaped my life forever.
Being the grandson of a person who was murdered in a terrorist attack I understand the pain of the grieving families.
I am with all of you.
I hope that the pain after 7 years is a little less.
It will never go away. I can attest to that from my own life.
But hopefully it doesn't sting as much as it did when it just happened.

I pray for all of your. You are and will always be in my heart and mind.

Sunday, August 31, 2008



CINEMA WITHOUT BORDERS ARTICLE OUR NEW FILM:
PRAYING IN HER OWN VOICE:


“Praying in Her Own Voice” deals with the question of women’s place in Israel’s society
Bijan Tehrani

08/28/2008

http://cinemawithoutborders.com/news/127/ARTICLE/1673/2008-08-28.html

Filmmaker, college professor, wife and mother, Yael Katzir was born in Tel Aviv in 1942. Studied at Hebrew University, Jerusalem and at UCLA, Los Angeles, CA received her Doctoral Degree in History. She completed a Masters at Boston University MFA in Broadcasting and Film.(Cum Laude)

Director of Beit Berl College: Communal Cable Television Center Broadcasting regularly on Israel Cable TV Channel 98, country wide.
Prof. of film and history at the Art School. Independent Documentary filmmaker director and producer; she is also a published author.Her Award winning films are: Company Jasmine, Shivah for My Mother, A place for everyone. A glimpse of Paradise and Praying in her own voice.


Bijan Tehrani: Your film, “Praying in Her Own Voice”, deals with a subject that holds a great deal of importance, which some viewers may not grasp. Please tell us a little about the importance of this subject.
Yael Katzir: “Praying in Her Own Voice” is a film that deals with the very important question of women’s place in Israel’s society. It takes a look at a very courageous group that is paving the road for other women. The group is called Women of the Wall. They are a very heterogeneous group that includes Orthodox women, conservative women, Reform women and women who do not belong to any specific Synagogue. They come on every first day of the Jewish month at seven o’clock in the morning to pray in front of the Wailing Wall, the most sacred place for Jews in the world. They wish to pray according to the Jewish law. In the women’s section, when they are wrapped in the prayer shawl , they want to read from the Torah, and to pray and praise the Lord in song This is something that really threatens and raises havoc for the ultra orthodox Jews, who are afraid that if women take part, and are not chained down at the back of the synagogue, something will happen to Jerusalem. In the 21st century, when women are lawyers, neurosurgeons, and Prime Ministers, it is not clear why there must be a divorce between their roles in the temporal world and their duties in the spiritual realm. The struggle is very long. I have interviewed some Rabbis with authority, both in the US and Israel, and they all say that there isn’t any restriction for women reading from the Torah. Women are released from some things that were difficult for them to enact in ancient times but those things are not forbidden. Thus, if they want to read, they should be allowed to. There is another issue, and that is dealing with the voice of the women. There is a sentence in the Torahreferring to how the voice of women is tempting sexually, but many say that when it comes to prayer, everyone should pray. All the restrictions that are being put on women are because the men are afraid that they would be aroused sexually— so what?

BT: This film deals with a question of faith, but also even more so with women's rights. This is about fighting for your rights.
YK: Exactly, fighting for civil rights.

BT: How has the Israeli government reacted to this situation?
YK: The status of women in Israel is still at the back of the bus. While there is some progress, it takes place very slowly. When the issue of the rights of the Women of the Wall to pray according to their custom came by appeal to the Israeli Supreme Court, the decision was for the women, they should be allowed to pray. But then there was strong pressure from the religious political circles of the Government that reached the Supreme Court, and they have re-opened the case.. They have not gone back on their principle decision that women have the right to pray at the Wall according to their custom, but they have assigned for them a place at the archeological dig of the Wall 12 meters below the Prayer area and thus gave the women a place which no one hears or sees. This is very annoying, because all the civil rights and feminist rights organizations did not come out to support the women’s group. I have to say that the group of the Women of the Wall is very determined and strong, and they continue to fight for their rights, and I believe that in the end people will join them. As with the suffragists in England, their struggle took time. Those who are exiled or excluded from praying according to their own custom are not only the Women of the Wall , but also the religious Reform Conservative Communities, who compose the majority of the Jewish people in the World. .

BT: How difficult was the making of this film?
YK: Theses things are hard to measure. It was a big challenge; I received very little financial support but I had my ex students as my team. And the most important part was that I brought it to the finish line with the help of my son Dan Katzir and Ravit Markus who helped me to get to money in the crucial final stage. I myself am a secular Jew, and I met the Women of Wall? when I was with my students one day in the Old City, in a very odd situation. I saw a group of old women praying in the ruins of a German Christian church. I thought, are they crazy? I started to research, and understood that while the case was in court, they could open the door and look at the women’s section, but only in these ruins. They wanted to be present, and to be an example for other women. The film premiered at a big documentary film festival in Tel Aviv, and then word started to get around, but the Israel television is still not accepting it, because they don’t want to confront the religious people.

BT: How many times has the film been screened in Israel, and how has it been received?
YK: It did a round of all the cinemateques, and was screened two or three times in Tel Aviv, Jerusalem, and Haifa and Rosh Pina. It is being screened at many universities as well, and some of the reformed synagogues, but there it is like preaching to the converted. We had a very good screening at the San Francisco film festival, and will also have one in Berkley. The film has also been around the world. It won a merit award in India. It was in Spain, at the Palm Beach International Film Festival, and the Israel Film Festival in Los Angeles last month. It attracted a full house in Los Angeles.

BT: Where do you think this struggle will go from here? Will it be a success for Women of the Wall??
YK: In the long run, I think it will be a success. Today the ultra-orthodox are going to try to pass a law in the Knesset(Israel House of Parliament) , proposing that the female members of Parliament (thirty percent of members of Parliament) will not be allowed to sing the national anthem in the house of Parliament!!!. So the film becomes even more relevant. I think that more exposure and publicity will help the cause. I worked on this for three or four years, and didn’t get paid, and I didn’t care because I care about the cause. This is something that has insulted me as a human being living in the 21st century. I have a PhD in History, and to think that the Jews, who were so clever in survival forms and always find solutions to situations, are fundamentalists and ready to resemble the Iranians?

BT: What are your future films?
YK: I have 2 projects. One deals with the influence of Berlin on Tel Aviv. This is going to be for the centennial celebration of Tel Aviv. I have another project that I hope to finish, but it depends on the finances. It is a diary of a violin builder during the second Lebanon War. It will carry the message that in spite of everything, he is going to continue to build violins during wartime.

I would like to add: that I have never had questions about my Jewish identity. But in the process of doing this film, my sense of Jewish identity really strengthened, because I felt that no one will take my Judaism away from me, even when they try to call me Goya, Arafat, and Amalek, what the Ultra Orthodox called us. The film ends with a song that I have written that include these lyrics; “In my voice, in your voice, in a woman’s voice, I lay another prayer. Not with silent mouthing words, my voice is crying to heaven. Out of Zion a Torah will come, and I too will have a place in the universe. In my voice, in every woman’s voice, there is a prayer. The music is very beautiful

Thursday, August 21, 2008

Famed critic George Robinson on Yiddish Theater Film.

George Robinson, is a top NY film critic for the NY Jewish Week.

When he wanted to review our film we were both delighted and scared. He's a tough reviewer and yet also one that's very respected by the film lovers community both in NY and across the US.

So we were very fortunate that he liked the film and also gave it a wonderful review that helped get the word out about the film in NYC.

This week, when the film returned to NY to a theater in Queens, he mentioned it in his blog.

Here's the full article in his blog. Yiddish Theater is mentioned at the second paragraph. I put the first paragraph with commentary about Woody Allen's new film so that those few who don't know who George Robinson is will get a sense of his honesty and his no BS attitude towards films and filmmakers.
Here's the G Robinson's blog of Tues. Aug 19 2008:

"Tuesday, August 19, 2008
Back With a Vengeance (?)

By George Robnison"

Okay, I'm not going to make any absurd promises about keeping up with this thing -- as you well know, those are futile. But I will make something more of an effort. Lots of goodies to offer you in this posting, at any rate.

First, my review of the new Woody Allen, for Jewish Week. The film is dire and in some ways, although it is better than Cassandra's Dream, it is successful in the most uninteresting manner, a clumsy recycling of old themes, characters, attitudes.

Second, allow me to direct your attention to a review by the estimable Donald Richie of a new English version of a key Japanese monograph on Kenji Mizoguchi, of whom we have spoken in the past.

One of the nicer surprises of last winter, a documentary about a dying Yiddish theater (is there any other kind?), has resurfaced in Queens. Yiddish Theater: A Love Story, directed by Dan Katzir, is playing at the North Shore Towers Cinema (270-10 Grand Central Pkwy., Floral Park). For information, phone 718-229-7702. My review of the film can be found here...."

______________________________________________________________________________________

Here's the link to George Robinson's blog:
http://cine-journal.blogspot.com/

Here's the full review of our film that appeared in the NY Jewish Week:
http://www.thejewishweek.com/viewArticle/c344_a1052/The_Arts/Film.html

_____________________________________________________________________________________


Spaisman’s Struggle
11/14/2007
Israeli documentary chronicles the Yiddish theater star fighting to keep a new company alive
by George Robinson
Special To The Jewish Week

There is nothing in the arts as evanescent as live theater. After the curtain goes down it vanishes, to borrow a metaphor from Dashiell Hammett, “like a fist when you open your hand.” And all you are left with is memories.

How much more poignant, then, is the plight of those men and women who struggle to keep the Yiddish theater alive, for they are not only bucking the essential nature of their medium, they are also, it would seem, swimming against the strong current of history itself. If she were still alive, you could ask Zypora Spaisman, one of the pillars of the Folksbiene Theater and the founder of the regrettably short-lived Yiddish Public Theater. Or, almost as good, you can see Dan

Katzir’s new film about her last struggling company, “Yiddish Theater: A Love Story,” which opens next week at the Pioneer Theater.

Although she was well into her 80s when she died in 2002, and she had logged nearly a half-century on the Yiddish stage, Spaisman was a latecomer to the theater. A Jewish-Polish midwife who had survived the Shoah and had decided to pursue her acting dream, she came to the States in the 1954. By then, the Yiddish-language theater that had ruled the Lower East Side and what is now called the East Village, had dwindled from over a dozen professional companies in the 1910s to just the one struggling straggler, the Folksbiene, which Spaisman had joined in 1956. In the ‘90s an internecine dispute led to Spaisman’s departure from the Folksbiene, ostensibly into retirement. But as the film makes abundantly clear, Zypora Spaisman was not one to go quietly into the night. “Retire is a death sentence,” she tells the filmmaker.

Katzir’s documentary traces the eight days of Chanukah 2000, when her new company was battling both an unfashionable location and the worst blizzard in New York in years, playing before tiny houses despite truly excellent reviews of its production of “Green Fields.” He says at the film’s outset, “As an Israeli I should learn about my culture,” quite a change of tune from the old Zionist loathing of Yiddish. Purely by chance, Katzir had a home video camera with him when he saw the show and became acquainted with Spaisman. So at the drop of a hat, he found himself making a new film without any of the usual technical comforts of home. (Not that you can tell — among other virtues, “Yiddish Theater” is a good-looking film.)

As you can see from her first appearance on screen, Spaisman is the kind of person that entrances everyone around her, a warm but not effusive presence, with a diva’s command of the scene and a wry sense of humor. Katzir intertwines her story with that of the company’s fight for survival and the larger picture of the decay of what had been a powerful Yiddish cultural scene. The film benefits greatly from comments by Dov Katz, a prominent historian of Yiddish, and from the fleeting presence of the great Yiddish crooner Seymour Rexite, who does not suffer fools gladly and makes no secret of it. The members of the Yiddish Public Theater are also a strikingly variegated lot, from Roni Neuman, the Israeli ingénue who learned her lines phonetically, to Felix Fibich, a dancer and actor who is as spry at 85 as most of us were at 25.

“Yiddish Theater: A Love Story” is just funny and spikey enough never to allow the audience to wallow in cheap sentiment (unlike some of the worst but most successful Yiddish plays). Spaisman seems to hold her Israeli interlocutor at just enough distance that the film can never become a soggy valentine to her indomitable spirit. Instead, it is a bittersweet, funny and charming tribute to a theatrical tradition that may be on the ropes but isn’t quite down for a 10-count yet

ANOTHER AMAZING REVIEW IN ART BEATS LA

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